KevinMarks

2013-05-06

• 09:21 UTC Finally, some progress in video codecs.

  An announcement on Friday via Brendan Eich:

  ORBX.js, a downloadable HD codec written in JS and WebGL. The advantages are many. On the good-for-the-open-web side: no encumbered-format burden on web browsers, they are just IP-blind runtimes. Technical wins start with the ability to evolve and improve the codec over time, instead of taking ten years to specify and burn it into silicon.

  I think the 'remote-screen viewing of videogames' use case is bogus (if anyone notices latency it's gamers), but this is a really important development for the reasons Brendan mentions and more.

  Nine years ago, I wrote:

  I'd say video compression is maybe 2-4 times as efficient (in quality per bit) than it was in 1990 or so when MPEG was standardised, despite computing power and storage having improved a thousandfold since then.

  Not much has changed. The video compression techniques we're using everywhere are direct descendents of 1980s signal processing. They treat video as a collection of small 2D blocks that move horizontally and vertically over time, and encode all video this way. If you want to make a codec work hard, you just need to rotate the camera. Partly this is because of the huge patent thicket around video encoding, mostly it's because compression gets less necessary over time as network capacity and storage increases. However, it was obvious 10 years ago that this was out-dated.

  Meanwhile, there has been a revolution in video processing. It's been going on in video games, and in movies and TV. The beautiful photorealistic scenes you now see in video games are because they are textured 3D models rendered on the fly for you. Even the cut scenes work this way, though their encoding is often what compression researchers dismissively call a 'Graduate Student Algorithm' - hand-tweaking the models and textures to play back well within the constraints of the device. Most movies and TV has also been through 3d-modelling and rendering, from Pixar through visual effects to the mundane superimposition of yard lines on sports. The proportion of YouTube that is animation, machinima or videogame run-throughs with commentary keeps growing too.

  Yet codecs remain blind to this. All this great 3d work is reduced to small 2D squares. A trimesh and texture codec seems an obvious innovation - even phones have GPUs in them now, and desktops have for 20 years. Web browsers have been capable of complex animations for ages too. Now they have the ability to decode bytestreams to WebGL in real time, we may finally get codecs that are up to the standards we expect from videogames, TV and movies, with the additional advantage of resolution independence. It's time for this change.

2013-04-05

• 02:13 UTC Forking, Spooning or Knifing?
  

  Reading the tech news this week, there's a lot of talk about forking. Google Blink forking AppKit. Apple not forking Chromium because that would be hostile. Facebook 'forking' Android. Even Tim O'Reilly forking the memetic nature of Free Software into Open Source.

  However not all of these things are really forks, and forking is no longer necessarily a hostile act. Lets go through them. Google Blink is a fork of Webkit, or rather of Webcore. Alex explains this is to reduce the amount of time they need to spend merging back to Webkit, but it doesn't preclude anyone continuing to do this if desired. Maciej explained that the reason for the difference in multiprocessing implementations that precipitated this was Apple not wanting to do so.

  Facebook did not need to fork Android, because it is designed to support substitutable components. You can swap out any OS components, and you can communicate between apps using intents. Indeed, Facebook could make a deal with handset manufacturers or carriers that don't offer the 'with Google' experience to replace it with a Facebook one. Expect to see this in overseas markets, especially the ones where Facebook Zero works with carriers.

  The more subtle thing is that forking is no longer perjorative. It used to be a last resort, what you did when your open source community had broken down. It meant that people had to pick sides, and choose which fork to adopt, because open source had a hierarchic nature. Now, forking is what you do to show interest. If you go to github, where much open source lives now, forking a project is a single click. Sucessful projects will have many forks, and will accept pull requests from some of them.

  This is the real difference between the Free Software and Open Source worldviews that were debated this week - the web enables more parallel, less centralised forms of co-operation and ownership. The monolithic projects and integrations are giving way to ones with better defined boundaries between them, and the ability to combine components as needed. Which means tech companies don't get to tell each other to "Knife the baby" any more.

2013-04-02

• 10:26 UTC Hosting and Impermanence
  

  I linked to my boys' old blog today when Christopher asked for an April Fools prank idea, and noticed that the images were missing. This is due to the demise of iDisk, Apple's handy built-in version of DropBox that I paid them about $100/year for until they shut it down and broke all my links to it.

  To fix this, I copied the old iDisk Sites folder to Google Drive, and manually changed the links in the blog posts. Then I had a thought - could I host my twitter archive this way? As you can see it works.

  Here's how to do it:

  1. Download your Twitter Archive by clicking Request your archive on the Account Settings page.
  2. Install Google Drive
  3. Expand the archive and copy it into the local Google Drive folder
  4. Go to Google Drive in the browser, and set the folder to public using the Share button.
  5. Copy the URL which will be something like: https://drive.google.com/#folders/0B7cAS_dEul22V3d5c0d5WkpEOFE
  6. Edit the first part to be 'googledrive.com/host' so you get https://googledrive.com/host/0B7cAS_dEul22V3d5c0d5WkpEOFE
  7. (Optional) Go over to a URL shortener and make a short link for it like I did http://j.mp/kmtweets

  Now you have your old tweets hosted on Google. Tweet a link to them.

  Aha, I can just drag my Twitter archive onto Google Drive and publish it j.mp/kmtweets

  — Kevin Marks (@kevinmarks) April 2, 2013

2013-03-15

• 18:20 UTC DTLI Panel on 1201 rulemaking
  As I'm in twitter jail for tweeting too much, here's an old-fashioned liveblog.
   Speakers
  

  • Moderator: Marcia Hofmann, Electronic Frontier Foundation
  • Rob Kasunic, U.S. Copyright Office
  • Christian Genetski, Entertainment Software Association
  • Rebecca Tushnet, Organization for Transformative Works/Georgetown Law

  
  Rob Kasunic: the DMCA was passed in 1998. The new rule-making started in 2000.
  (someone is testing a radio mic on the same frequency. Ironic given White Spaces interference lobby by radio mic users).
  Rulemaking was originally designed to be formal, like a courtroom proceeding. It became less formal, and a periodic review of exemptions. The exemptions expire each three years and must be examined again. 2000 rulemaking was difficult as the provisions weren't yet in force. "It would be nice if legislation could be understood by the general public. Failing that it would be nice if it was understood by Copyright lawyers."
  We had to interpret what a "class of works" consisted of as that was what we coudl exempt, but was not defined in the statute.
  
  Marcia Hofmann: I've been involved in all rounds so far. What does a successful argument look like?
  
  Rob Kasunic: Seth Finkelstein documented what he had done to achieve exemptions. Look at what had been successful. Many people who have got them repeatedly were not lawyers. Presenting a very strong factual case is key, compared to making a legal argument. It helps to come to the hearing but that is not a requirement.
  
  Rebecca Tushnet: I work with Vidders, a remix artists community. The hearings feel like Alice in Wonderland - the content people say that screen capture and other tools are circumvention, but they are available, and they won't go after fair use but they reserve the right to decide what isn't and so no exemption is needed.
  Vidders are primarily made up of women, working with popular culture and non-commercial. Even though the Copyright Office should represent all creators, as outsiders we have to make this argument in perpetuity. Despite copyright protecting all creations, we need to make a case for creatiev quality and critical message, which is like explaining opera to non-fans.
  The question 'Who gets to say what tools artists can use?' is very difficult. The content people argued that screen capture software was good enough, so cracking encrypted DVDs wasn't needed, despite generational loss. They said you don't need nice-looking stuff to use in your art. They also said that if we weren't getting good enough quality from screen capture they were doing it wrong. Hearing a bunch of guys who don't edit video telling a bunch of women who do that they are doing it wrong is a feature of the proceedings. You have to come back every 18 months are start again, and eventual people give up - like the dongle guy did. The copyright office cuts down your proposal each time, and more so if you don't come to the hearings. The burden of proof and the standards required to show that the use is substantial requires you to break the law in advance to show that it should be legal, which is highly problematic. Bruce Lehman told us about the process of enacting the DMCA. People making the next generation of media don't have lobbyists. they don't even have drivers licences today. They will surprise us like Facebook or Google. We need to let them surprise us in future.
  
  Christian Genetski: The EFF brought an exemption request for jailbreaking consoles that followed that from jailbreaking cellphones. As we (Video Game Manufacturers) prevailed, I see this as a fair process. In the mobile phone example there was a competition issue wrapped up in the DMCA. We made the case that this was different for game consoles, where we were protecting 3rd party creative works - the games. We didn't question the legitimacy of homebrew and indie games, but said we were trying to promote these consistent with protecting commercial ones. The evidence showed that vast majority of the tools were used for infringement, not for development or indie distribution.
  I don't think the DMCA 1201 rule is broken per se, The use of the statute by creative litigators is not unique to the DMCA, there were other statutes cited in the same complaints.
  If we need to adjust tot he reality of what is being used, taking a fresh look every 18 months seems like a good idea. This is better than going to Congress and meeting on K Street. Perhaps there is an execution and burden-shifting problem.
  
  Rob Kasunic: Burden-shifting is something we should consider for existing exemptions, to move the burden to opponents. The rule-making is not necessarily the answer to these issues. It's an adjunct to the statute. But for the rule-making process, Vidders would have all been unlawful. The Copyright office is not assessing 'good' works or legitimate art, but non-infringing use. When we use the term 'substantial' we didn't mean a higher burden of proof, but it needs to not be just mere inconveniences or anecdotal use. With vidding it was questionable if the use was non-infringing, but there needed to be sufficient that were.
  Although 1201 exemptions only apply to the use exemptions, not the trafficking ones, when they passed they mean people can buy illegal tools for a legal purpose which is very odd.
  
  Rebecca Tushnet: The exemption we got said we could only use circumvention if necessary for sufficient quality. This was an artistic judgment encoded in the exemption.
  
   Granick: Trackphone continued to use 1201 against bulk unlockers as they were not doing it to unlock to connect to a network, but to profit by reselling phones, and have won these cases.
  
  Q: Why would it be up to Congress to change the burden? Couldn't the Copyright office change this?
  Kasunic: there is a lot of expectations from Congress in the lawmaking, even if not in the legislation. We're trying to implement what Congress intended. We would be delighted to have Congress give us more information.
  
  Q: Copyright prevents actual copying and derivative works. What of we narrowed it down so derivative works weren't protected? How many problems would go away then?
  Kasunic: Many of derivative works matter a lot eg movie adaptations. The line between derivative and transformative is a fine one.
  Genetski: in the game industry the expansion packs and sequels are derivative and need to be protected.
  Tushnet: people have been thinking hard about this. Substantial similarity has eaten this up. I wrote an article about this.
  
  
  

2012-12-06

• 19:38 UTC The Antifragility of the Web

  We’re used to taking the web for granted. We expect it to be there as substrate, with its addresses, declaratory documents, universally available programming language and the links between pages.

  Ah, the links. There’s the rub. How many times have you followed a link and got a 404 or a different page than you were expecting? Links rot. As Tim Berners-Lee says, eventually every domain becomes a porn site.

  So we want to do better. We want to build a non-web web. A special place for ourselves and our friends that is self-contained, and where all the pages and links are in the same database, and they can’t rot.

  Instead of these messy links with protocols and domains in we just use @names or +names and #topics and tag. It’s easier for people to do, and self-consistent and grows explosively. Biz dev gets excited about the reciprocal deals we can do with other content owners.

  If you’ve read Nasim Taleb’s Antifragile, you know what comes next. By shielding people from the complexities of the web, by removing the fragility of links, we’re actually making things worse. We’re creating a fragility debt. Suddenly, something changes - money runs out, a pivot is declared, an aquihire happens, and the pent-up fragility is resolved in a Black Swan moment.

  The special place disappears entirely. Or, if we’re lucky, the Archive Team lights the cat signal and emergency archivists preserve it in formaldehyde somewhere else, the clock stopped, the links severed.

  Meanwhile, out there on the web, people can still connect and discuss and say what went wrong, and do better next time. The web itself is antifragile. It interprets our business models as damage and routes around them. If we’ve learned, we’ll respect this next time we make something.

2012-05-24

• 22:35 UTC Keep ALL the versions

  Back in the 1980s, storage was expensive and slow. You had a copy of your document in memory and you would be asked every time you wanted to save it out to disk, because you didn't want to fill the disk up. That paradigm is so out of date now it's embarrassing to try to explain to my sons what the little floppy disk icon is in Microsoft Word. "What's that?" "it's a floppy disk." "Oh yeah, I think I saw one in the garage once"

  The world view of having to load and save is being gradually eroded. Apple has changed the operating system - Mountain Lion no longer has Save and Save As, but instead a model of going back through edit histories. Google Docs originally didn’t have a floppy disk icon, but put it back because people were looking for it in user testing. Now it has been removed.

  We've had source code control as programmers for a long time. But the github world takes that further: the first thing you do is clone a project into your own repository, then start forking it. You can eventually merge stuff back later, but there is the assumption that things are happening in parallel. As James Governor put it:

  Open Source used to count download numbers as a measure of developer success.

  Today, we increasingly use forks as the metric of traction.

  Wikipedia has put this into the public consciousness by having publicly visible edit histories, so you can go back and forwards in time over the history of the article. The paradigm of "storage is not a problem, we should keep every version of everything ever" is moving through culture to be a default assumption.

  This will be something we want on mobile too. The issue of "which have I got on the phone and which have I got in the cloud?” is what makes it tricky. I think there will be a battle between Apple and Google about how you present that to the user in a coherent way - Google Drive and iCloud are taking different paths here, with DropBox actually working between both. Google Drive not storing copies of Google Documents locally is a mistake I expect them to fix.

  Everything is moving in this direction, even low level system design. The growth of functional programming is all about not having contention over a single copy of things in memory but having paths through data that are modifying things in their own version of the world.

  If you think about the difference between the way JavaScript handles stuff and the way Java does, Java still has a ‘data structure being passed around’ world view; JavaScript has closures that are passed around that contain the entire state of the current machine at the time of that event which are held as you go off and do something else and come back. One of the reasons that node.js feels so nice when you're writing web programming is that it has the feeling you’re used to on the client side that you do something and then call something, passing it a callback. You end up writing the server side stuff in the same way, and it's just naturally parallelizable. It's easy to spin up more machines for it because you've written stuff with the presumption that each instance of it is wholly independent.

  Not everything can be written that way. The core of node is in C because it has to deal with the raw machine contention and deal with this routing, but the spread of the functional world view is a natural fit for web apps.

  The other potential that node.js makes manifest is convergence of client and server code. If you're running and writing the same code in the same language, with the same libraries running on both the client and the server you can decide to migrate bits back and forth much more easily.

  You don’t have to spend so much time deciding which is which and without worrying about the boundaries of the world and different shapes of the data structures. So if you're creating a JSON object on the server and passing it to the client you can decide whether you do that or not, at which point you do that, at which point you render it and which point you don't. That sort of fluidity is going to become more important over time. Pat Patterson showed how this can work for mobile apps too.

  The programmers' world view has changed on this and it is permeates out to the world as programmers make those ideas available to the public in usable form. The invention of ‘Undo’ was a huge part of what made the Mac great - enabling users to experiment safely. Being able to retrospectively undo mistakes later, or learn from others’ public variations on a theme is going mainstream too.

  This post is based on discussions I had on This Week In Google ep 143, with Gina Trapani, Jeff Jarvis and Tom Merritt which were transcribed by Michael Shook from this video of the show Updated: At the same time, JP Rangaswami wrote Warning: Contains Warnings which give more context about how 'Undo' helps protect innovation.

2012-04-01

• 09:23 UTC Draw Something CEO, grace and high school mathematics

  Dan Porter, CEO of OMGPop, has had a good week. His game, Draw Something (it is an asynchronous Pictionary for cellphones, like Words With Friends is an asynchronous Scrabble) has taken off like mad, and Zynga bought his company for over $200 million. However, one employee didn't go along to Zynga, and Dan's been whining on twitter:
  

  What's so interesting about success is the number of failures who try to ride on your back. Shay Pierce is just one of many...

  — Dan Porter (@tfadp) March 31, 2012

  The one omgpop employee who turned down joining Zynga was the weakest one on the whole team. Selfish people make bad games. Good riddance!

  — Dan Porter (@tfadp) March 31, 2012

  This has drawn some reactions from others, eg Notch, CEO of Minecaraft:
  

  @tfadp You're an insane idiot.

  — Markus Persson (@notch) April 1, 2012

  and Dick Costolo, CEO of Twitter:
  

  @tfadp I'm sure you realize by now what a nitwit comment that was, but wow, what a nitwit comment that was.

  — dick costolo (@dickc) April 1, 2012

  and the lovely Tom Coates:
  

  I hope I never say anything this awful: @tfadp "What's so interesting about success is the number of failures who try to ride on your back."

  — Tom Coates (@tomcoates) April 1, 2012

  Now just before this crass public display of arrogance, he said something just as telling:
  

  4 years of HS math I got every prob right. Teachers said was wrong way to the answer. Math, business, games, I'll stick with my wrong way.

  — Dan Porter (@tfadp) March 30, 2012

  The thing is, Draw Something has a maths problem. The so-called Birthday Paradox is kicking in. This is named for the unexpected result that if you have 23 people in a room, there's a 50:50 chance two of them have the same birthday.
  

  There's a similar effect with games. If you keep randomly picking a word from a list, you'll see repeats quickly. Classic board games understand this - this is why Balderdash, Pictionary, Trivial Pursuit etc insist you use a discard pile after shuffling and picking a question, so you only pick a new card from those you haven't seen. Draw Something isn't doing this, so we're all seeing words repeat, which is discouraging play. This is all over twitter too:
  

  Too many repeat words in DrawSomething. :|

  — Shreya Ghoshal (@shreyaghoshal) March 30, 2012

  I've played Draw Something too much so every word now is a repeat. #firstworldpain

  — ∆li (@AleeZaidee) April 1, 2012

  Just now coming off a week-long "Draw Something" binge. The fact that I keep getting the same words over & over is helping.

  — Aimee Mann (@aimeemann) March 31, 2012

  One way or another, I think Draw Something has peaked.
  

2012-03-21

• 19:09 UTC When you're the merchandise, not the customer

  Jonathan Zittrain posted today that he is not the source of the quote widely attributed to him:
  

  I participated in the Berkman Center’s fascinating HyperPublic symposium in the summer of 2011. When moderating a panel I invoked the aphorism that “When something online is free, you’re not the customer, you’re the product.” It’s a way of encapsulating the idea that online free services usually make money by extracting lots of data from users — and then selling that data, or using it for targeted availability of those users for advertising, to advertisers. In that sense, the advertisers are the clients, and the users enjoying free content are what’s being sold. (Of course, sometimes that happens even when the user pays.)
  
  I didn’t coin the phrase, and since it was featured (and attributed to me!) in wordsmith.org’s wildly popular “word a day” as a thought for the day accompanying the word “enceinte” — I sought to nail down its provenance.
  
  The first use of the quote that we can find is as a comment within the famed MetaFilter community in August 2010. The user’s name is blue_beetle, who might be someone named Andrew Lewis. It’s entirely possible I saw it there, as MeFi is one of my five favorite sites on the Web.

  I was pretty sure this idea dates back further, so I went digging. First I found Josh Klein's 2009 blogpost, which cites Philip Broughton's 2008 book Ahead of the Curve: Two Years at Harvard Business School
  

  "My favorite moment comes in an anecdote about an MBA candidate who, not getting his way, complains to an administrator, “I’m the customer! Why are you treating me so badly?”
  
  To which the administrator responds, “you’re not the customer. You’re the product.”

  But the sense is not quite the same there - an MBA is not a free web service after all. Going back a little further, this 2006 discussion at Joel on Software Is the Magical Fairy-tale For Google Engineers about to End? (nicely prefiguring James Whittaker's Why I left Google) includes this contribution from Drew K:
  

  Like clam pointed out, Google's customers are the advertisers. "Skooter" is a user. Just like with ad-supported broadcast TV, you're not the customer, you're the product.

  The idea is pretty well-expressed there, but I think we can go back further. In 2004, Coding Forums discussed the then-new Gmail, and liorian commented:

  From a Google perspective, you're not the customer. The ad service buyer is the customer. You're the commodity. By making you a more attractive commodity, i.e. by making sure to only serve you an ad if you are in the target population for it, they are making the ads pay better for their customers, and they can reap a large part of the difference to their competitors, the other ad services.

  This isn't a new idea then, as the analogy to television makes clear. The earliest, most thorough exegesis of this idea I have found is Claire Wolfe's 1999 article Little brother is watching you The Menace of Corporate America which opens with:
  

  Perhaps because you're not the customer any more. You're simply a "resource" to be managed for profit. The customer is someone else now — and usually someone without your best interests at heart.

  And has a continuing refrain of “Who is the Customer? Not you”, ending with

  Who is the customer? Not you, whose life is reduced to someone else's salable, searchable, investigatable data. The customer is everyone who wishes to own a piece of your life.

  The underlying warning is definitely worth thinking about — Maciej Ceglowski eloquently made the case for why you should pay Software Artisans on a recent TummelVision — but the deeper changes to what it means to be a customer matter too. There are other things we take part in without paying or being sold, because we find shared value in them, and the net enables those too.

2012-01-28

• 17:40 UTC QR Codes: bad idea or terrible idea?

  People have a problem finding your URL. You post a QR Code. Now they have 2 problems. Or more:
  
  

  

  
  

  1. They see a chunk of robot barf on your poster, and have to realise it isn't a crossword puzzle, but a QR code.
     
  2. They need to take a digital photograph of it with their phone. If they have a laptop, even with a camera, this requires physical contortions
     
  3. They need an application on their phone that can make sense of a QR code.
     
  4. They need a lot of patience as they fiddle with it.
     
  5. They need a working network connection to resolve it.

  Conversely, with a URL they could type it in, take a photograph of it and type it in later, or if they have the right app, it will recognise the URL text from the image and make it clickable.

  That is the irony of this. QR Codes ignore years of research and culture on how to communicate meaning in symbolic form designed to be captured by image processing tools behind a lens. We have this technology. It is called writing.

  Written language has a set of symbols that are relatively unambiguous, that are formed of curves rather than hard edges making them resilient to noise, and have been market-tested for milennia. QR Codes don't just ignore this, they ignore the relative success of one dimensional barcodes. Notice something about a barcode? It has the number printed on it as well, so you can type it in if the scan fails. QR Codes don't do this, so it's far too easy to put the wrong one in, or fail to replace a mockup. Which is why so many QR codes link to Justin's site instead.

  The only place you should use QR codes is if you have a dedicated reader for them, like a classic barcode scanner, and a workflow that is designed for this that actually saves time. If you do empirical research on using QR codes for the public, you'll likely see 80% worse performance than text like this museum did. By all means try the experiment and report your results. Put up a QR code and a printed URL and see which gets the most usage.

  Or listen to others:

  a majority of our respondents knew more or less what they were for, very few (n=2, or around 7%) were successfully able to use QR codes to resolve a URL, even when coached by a knowledgeable researcher.[..] A strong theme that emerged — which we certainly found entirely unsurprising, but which ought to give genuine pause to the cleverer sort of marketers — is that, even where respondents displayed sufficient awareness and understanding of QR codes to make use of them, virtually no one expressed any interest in actually doing so.

  As Alexis Madrigal puts it:

  Is it really faster and better to use a QR code that will direct you to part of a marketing campaign rather than getting a broader sweep of information by simply using the browser that you already use all the time on your phone? In the instant cost-benefit analysis I do every time I see a QR code, it has yet to make sense for me to fire up the decoder app I have installed on my phone.

  QR code at the bus stop to get time of next bus. Really useful in the dark. Not. yfrog.com/mgicpqj

  — Martin Geddes (@martingeddes) January 27, 2012

2012-01-23

• 22:29 UTC Google Plus admits they want fake names

  Today, after 7 months, Bradley Horowitz announced that Google Plus will accept some pseudonyms. Kinda. If you can prove you're already famous. And can convince their robot it looks like a name. However, Google Engineer Yonatan Zunger spills the beans in a comment on that thread:

  First of all, you might ask why we have a names policy at all. (i.e., why we don’t simply go with the JWZ proposal) One thing which we have discovered, while putting some miles on the system, is that it is indeed important to have a name-based service rather than a handle-based service. This isn’t a matter of functionality so much as of community: You get a different kind of community when people are known as Mary Smith than when they are known as captaincrunch42, and for a social product in particular we decided that the first kind of community is the one we want to build. In order to do that, we want to establish a general norm that the names you put in to the system should be names, not handles.
  
  So one thing that our name checking flow tries to catch is handles, which should normally be nicknames, shown in addition to a name. The other important thing it’s trying to catch is people who are creating individual accounts, rather than +Pages, for non-human entities such as businesses or organizations. The behavior of +Pages is deliberately restricted in the system, and we don’t want people to be creating fake human accounts to circumvent that. The name check turns out to be a very powerful tool to catch these.
  
  Our name check is therefore looking, not for things that don’t look like “your” name, but for things which don’t look like names, period. In fact, we do not give a damn whether the name posted is “your” name or not: we will not challenge you on this basis, nor is there any mechanism for other users to cause you to be challenged for this.
  
  There are two main cases where the name check screws up. One is false positives: people (such as you) who have unusual names which get flagged because they looked like handles. Being able to appeal via things such as drivers’ licenses is useful for this case, since it’s a simple “oh, we got this wrong.” The other case is people such as +trench coat, who are so well-known under this handle that it would be bizarre not to let them onto the system under this name. For this case, we allow appeals based on being well-known under the name: thus the ability to prove the “established pseudonym.” We’ve deliberately set the threshold for that latter case fairly high for now, but we intend to continue to tune it; the objective is that the frequency of such names should basically be the same as their frequency in meatspace.
  
  So to answer your questions one-by-one:
  
  (2) “Meaningful following” only applies to cases of established pseudonyms which do not look like names. The definition of “meaningful” is deliberately vague so that we can tune it, so that it behaves in a natural fashion.
  
  (3) That’s correct; drivers’ licenses are for false positives, not pseudonyms.
  
  (4) Unusual names will indeed hit friction, because of false positives. We’re trying to minimize that, but it’s going to take some trial and error.
  
  (5) Google+ can absolutely be your first identity online. No matter what your language, no matter where you come from. The “established pseudonym” logic should apply to a very small subset of people. If some groups are seeing a higher false positive rate than others, that’s a bug, not a feature, and we have the data available to spot this situation and remedy it.

  (posted in full, in case of subsequent retraction, and because G+ doesn't have permalinks for comments)
  
  Yonatan admits what Bradley obscures:that this is an Identity Theatre issue. They don't want your name, They don't care if you have a forename in one language and a surname in another. Let me quote this exactly:
  
  

  Our name check is therefore looking, not for things that don’t look like “your” name, but for things which don’t look like names, period. In fact, we do not give a damn whether the name posted is “your” name or not: we will not challenge you on this basis, nor is there any mechanism for other users to cause you to be challenged for this.

  
  This is what I suspected when I wrote Google Plus must stop this Identity Theatre
  
  Google+ is letting an algorithm decide what is a name and what isn't. You will be forced into it's Procrustean idea of what names are, or be harassed for it. You have to pass as normal, like call centre workers forced to learn to sound American.
  
  You can create disposable accounts with fake names, as long as they look plausible to Yonatan's bot.
  

  

  
  
  This algorithm has allowed people called 'panel heater' 'The Phoenix Rising' 'tous les mais du monde' and Mehr Decent , a bot with a well-known actress's photo posting links to a single website to follow me (and that's just in the most recent 30 I checked).
  
  So Google continues to encourage fakers and discourage those who need a pseudonym for good reasons.
• 10:14 UTC Could Apple make premium devices in the USA?

  After This American Life's disturbing episode on Apple's Chinese factories, the NYT wrote a defence of Apple, which said it was just too expensive to build their products in the USA:
  

  Not long ago, Apple boasted that its products were made in America. Today, few are. Almost all of the 70 million iPhones, 30 million iPads and 59 million other products Apple sold last year were manufactured overseas.
  
  Why can’t that work come home? Mr. Obama asked.
  
  Mr. Jobs’s reply was unambiguous. “Those jobs aren’t coming back,” he said.

  For computers, phones and tablets, it's hard to make a real premium product, as the economies of scale work so well - Tim Cook's Apple has closed in on PC prices by a focus on costs and suppliers, and by building fewer models and relying on Chinese flexibility to ramp them up.
  

  The Gold iPad 2 had a huge premium price, but also weighed more the 3 times as much as a normal iPad.
  

  Instead, what if Apple made premium USA iPads, MacBooks and iPhones? They could have a distinctive look, so people knew they were US made, focus on the higher-end models, and charge a premium markup for the warm glow of supporting US jobs.
  

  How much more would it cost? Hard to say, according to the NYT:
  

  It is hard to estimate how much more it would cost to build iPhones in the United States. However, various academics and manufacturing analysts estimate that because labor is such a small part of technology manufacturing, paying American wages would add up to $65 to each iPhone’s expense. Since Apple’s profits are often hundreds of dollars per phone, building domestically, in theory, would still give the company a healthy reward.
  [...]
  Another critical advantage for Apple was that China provided engineers at a scale the United States could not match. Apple’s executives had estimated that about 8,700 industrial engineers were needed to oversee and guide the 200,000 assembly-line workers eventually involved in manufacturing iPhones. The company’s analysts had forecast it would take as long as nine months to find that many qualified engineers in the United States.
  
  In China, it took 15 days.
  [...]
  A few years after Mr. Saragoza started his job, his bosses explained how the California plant stacked up against overseas factories: the cost, excluding the materials, of building a $1,500 computer in Elk Grove was $22 a machine. In Singapore, it was $6. In Taiwan, $4.85. Wages weren’t the major reason for the disparities. Rather it was costs like inventory and how long it took workers to finish a task.
  

  Compared the the huge price disparities for other goods, these seem modest; for example, Timoni found a nice carry-on bag recently:
  

  Couldn't find carryon I wanted. Then found a nice one: "This is good, I could get this." Price? $8,000. *doh*

  — timoni west (@timoni) January 9, 2012

  
  

  

  So here's my proposition for Tim Cook:
  Reopen the Elk Grove Apple factory to sell top-line Apple products, designed for those who want 'designer' luxury goods, and are willing to pay more for exclusivity. Make the 'made in USA' a key argument for a premium price. that way you need fewer staff than in China, and paying them well just adds to the cachet of the devices. You could cover them in Jasper Johns Flag, visibly number them as a limited edition, or come up with something more creative. As a way of extending the product line to a new, higher price point, while quieting those who wish Apple did more in the US, it seems an a obvious move.

2012-01-18

• 01:55 UTC Translation from sanctimonious bluster to English of Chris Dodd's statement on the internet blackout protests

  WASHINGTON —The following is a statement by Senator Chris Dodd, Chairman and CEO of the Motion Picture Association of America, Inc. (MPAA) on the so-called “Blackout Day” protesting anti-piracy legislation:

  Senator and CEO - let's lead with the revolving door promises to politicians
  

  “Only days after the White House and chief sponsors of the legislation responded to the major concern expressed by opponents and then called for all parties to work cooperatively together,

  Why are my former colleagues listening to their constituents about legislation? Don't they stay bought?
  

  some technology business interests are resorting to stunts that punish their users or turn them into their corporate pawns, rather than coming to the table to find solutions to a problem that all now seem to agree is very real and damaging.

  Maybe if we keep saying copyright infringement is a real problem without evidence, they'll believe it.
  

  It is an irresponsible response and a disservice to people who rely on them for information and use their services.

  How dare they edit their sites unless we force them to under penalty of perjury and felony convictions?
  

  It is also an abuse of power given the freedoms these companies enjoy in the marketplace today.

  Tomorrow was supposed to be different, that's why we bought this legislation.
  

  It’s a dangerous and troubling development when the platforms that serve as gateways to information intentionally skew the facts to incite their users in order to further their corporate interests.

  Being the gateways and skewing the facts is our job, dammit.
  

  A so-called “blackout” is yet another gimmick, albeit a dangerous one, designed to punish elected and administration officials who are working diligently to protect American jobs from foreign criminals.

  I am high as a kite
  

  It is our hope that the White House and the Congress will call on those who intend to stage this “blackout” to stop the hyperbole and PR stunts and engage in meaningful efforts to combat piracy.”

  What have the Romans done for us? Apart from instantaneous global communications, digital audio and video editing, the DVD, Blu-ray, Digital projection, movie playback devices in everyone's pockets and handbags...
  
  

  How to fight this nonsense

  (with apologies to John Gruber and Mark Pilgrim)

2011-12-26

• 23:17 UTC Facebook, Twitter and Google Plus shun HTML, causing the infographic plague.

  By choosing images over links, and by restricting markup, Facebook, Twitter and Google+ are hostile to HTML. This is leading to the plague of infographics crowding out text, and of video used to convey minimal information.

  

  The rise of so-called infographics has been out of control this year, though the term was unknown a couple of years ago. I attribute this to the favourable presentation that image links get within Facebook, followed by Twitter and Google plus, and of course though other referral sites like Reddit. By showing a preview of the image, the item is given extra weight over a textual link; indeed even for a url link, Facebook and G+ will show an image preview by default.

  Consequently, the dominant form of expression has become the image. This was already happening with LOLcats and other meme generators like Rage Comics, where a trite observation can be dressed up with an image or series of images.

  
  

  Before this, in the blogging age, there was a weight given to prose pieces, and Facebook and Google preserve some of this, but the expressiveness of HTML through linking, quoting, using images inline, changing font weight and so on, is filtered out by the crude editing tools they make available.

  Feeds and feed readers started out this way too, but rapidly gained the ability to include HTML markup. Twitter went back to the beginning, and added the extra constrain of 140 characters because of it's initial SMS focus. Now it is painfully reinventing markup, though the gigantic envelope and wrapper of metadata that accompanies every tweet. This now has an edit list for entities pointing into it, and instructions for how to parse this to regain the author's intent is part of the overhead of working with their API.

  Image links, however — at least those from recognised partners — are given privileged treatment. Facebook and Google have emulated this too, leading to the 'trite quote as image' trope. The spillover of this to news organisations became complete this year, with blogs and newspapers falling over themselves to link to often-tendentious information presented in all-caps and crude histogram form.

  So here's my plea for 2012: Twitter, Facebook, Google+: please provide equal space for HTML. And for authors and designers everywhere, stop making giant bitmaps when well-written text with charts that are worth the bytes spent on them could convey your message better.
  

  Update: My son made a Rage Comic version of this post (with an explanation) why.

2011-11-10

• 07:56 UTC Our brains make the social graph real

  Brilliant web essayist Maciej Cegłowski of Two Steaks and Pinboard fame has focused his considerable insight on the area of web standards I've been involved with for the past few years. You should go and read his The Social Graph is Neither now.

  Maciej is spot on in his criticisms:

  This obsession with modeling has led us into a social version of the Uncanny Valley, that weird phenomenon from computer graphics where the more faithfully you try to represent something human, the creepier it becomes. As the model becomes more expressive, we really start to notice the places where it fails.

  Personally, I think finding an adequate data model for the totality of interpersonal connections is an AI-hard problem. But even if you disagree, it's clear that a plain old graph is not going to cut it.

  Clearly you can't model human relationships exactly in software. Keeping track of a few hundred of them in all their nuanced subtlety is why our brains are so huge compared to other animals. As Douglas Adams put it:

  Of course you can’t ‘trust’ what people tell you on the web anymore than you can ‘trust’ what people tell you on megaphones, postcards or in restaurants. Working out the social politics of who you can trust and why is, quite literally, what a very large part of our brain has evolved to do.

  It is an act of hubris to attempt to represent such vital things as human relationships in a database, and those who have done so often do resemble Maciej's Mormon bartender - Orkut Büyükkökten, Mark Zuckerberg and Jonathan Abrams do seem to have made what danah boyd has called Autistic Social Software.

  The thing is, people seem to find these attempts helpful. As Maciej points out, we're good at forming subcultures and relationships even around the most primitive of tools. He pokes fun at opensocial.Enum.Drinker.HEAVILY, but when we were compiling the OpenSocial Person fields, we found a high degree of convergence between the 20 or so social network sites we reviewed. Despite their crudity, the billions of people using these sites do find something of interest in them.

  People choose to model different relationships on different sites and applications, but being able to avoid re-entering them anew each time by importing some or all from another source makes this easier. The Social Graph API may return results that are a little frayed or out of date, but humans can cope with that and smart social sites will let them edit the lists and selectively connect the new account to the web. Having a common data representation doesn't mean that all data is revealed to all who ask; we have OAuth to reveal different subsets to different apps, if need be.
  

  

  The real value comes from combining these imperfect, scrappy computerized representations of relationships with the rich, nuanced understandings we have stored away in our cerebella. With the face of your friend, acquaintance or crush next to what they are saying, your brain is instantly engaged and can decide whether they are joking, flirting or just being a grumpy poet again, and choose whether to signal that you have seen it or not.

  As danah says:

  While we want perfect reliability for our own needs, we also want there to be failures in the system so that we can blame technology when we don’t want to admit to our own weaknesses. In other words, we want plausible deniability. We want to be able to blame our spam filters when we failed to respond to an email that someone sent that we didn’t feel like answering. We want to blame cell phone reception when we’ve had enough of a conversation and “accidentally” hang up. The more reliable technology gets, the more we have to find new ways for blaming the technology so that we don’t have to do the socially rude thing.

  So here's to approximate, incomplete social web standards.

2011-09-27

• 00:17 UTC 'with Amazon' replacing 'with Google' on Android?

  Amazon is set to launch an Android Tablet on Wednesday. What if they license their code too? Android as experienced on phones is actually two separate software bundles - the Open Source core of Android, and the proprietary 'with Google' applications, including the App Market, Maps, Gmail, Talk, Contacts, Listen and other apps bound to Google services, and requiring a business development deal to ship with a device. Eric Schmidt explicitly discussed this strategy at Dreamforce.
  

  Now there are already more Android devices than I can count that don't follow the 'with Google' playbook, including the Barnes & Noble Nook that probably inspired this response from Amazon, but there are hints of a broader strategy here. What if Amazon offered an alternative to Google's top half of Android? I think Amazon does not really want to be in the hardware design business, but wants to be sure that they can't be locked out of it or forced to pay extra by Apple, Google or any other potential competitor. As well as releasing their own 7" tablet, they could offer an Open Source or lightly licensed version of their stack to other hardware developers.
  

  Why would Amazon do this? Because they are primarily in the shopping and media business. Apple has stopped them selling eBooks and media inside their apps on iPad/iPhone; Google has banned their App Store from the Google Android Market. Amazon could even offer a referral fee for anything bought via their store as an incentive for device manufacturers to ship it.
  

  An even bolder step wold be to actually fork Android. Google has a delayed-open model for Android source, where a new version is released in public after a closed development process, without a clear way to send in patches to Google. Amazon could put their current version up on Github, accept patches, and treat Google's new drops as another source of possible patches.
  

  Understanding each company's core business is what makes this likely. Apple is in the devices business, with the media business as a small side earner designed to make their devices more attractive. Google is in the Advertising business, with their Android business designed to make searching everywhere, continuously more likely. Amazon is in the shopping business, migrating from physical goods to media, with Kindle a way to drive this. A tablet that they can sell audio and video to as well as eBooks makes more sense to them if it as widely distributed as Kindle playback apps are now.